Cellular Monday: All you actually need is an iPhone


I’ve spent my profession as an expert photographer, specializing in wildlife and birds. You might also know me as an Olympus visionary. However my final go to shouldn’t be what I wish to talk about. What I wish to speak about now’s an unimaginable new journey that has taken me down a really lengthy and thrilling highway, main me to the conclusion that the iPhone 13 Professional might be the perfect image and video I’ve ever had. Have the digicam.

Sure, I stated so.

Editor’s Notice: We’re happy to current this visitor publish by Scott Bourne. Scott is a featured speaker on the upcoming Visible Storytelling convention, the place he’ll share his ardour for utilizing the iPhone to seize beautiful photos. Scott was the founding father of PhotoFocus and continues to weblog at Picturemethods.com in addition to an lively podcaster with the iPhone Picture Present.

open to innovation

I’ve a number of cameras and once I switched from DSLR to micro four-thirds/mirrorless years in the past, it freed me up in a approach that tremendously improved my pictures. That change was on me on account of medical issues that made me bodily unable to hold heavy cameras.

I made the choice final yr to modify to video for many of my work as a result of I used to be provided a job as a cinematographer engaged on documentaries about birds. Sadly, the newest spherical of COVID-19 has put these productions on maintain, so I made a decision to start out determining what I might do with the digicam that just about everybody has round on a regular basis – the smartphone. Digicam.

My lengthy historical past with the iPhone

I spotted the necessity for assist getting probably the most out of a smartphone was nice and that I would be capable to assist others discover ways to do it. Particularly, I selected the iPhone as a result of that is what I personally use and I’ve a historical past with that gadget as properly. I lined the unique iPhone launch once I was engaged on the TWiT.TV community with my buddy Leo Laporte and I additionally did the primary podcast devoted to the iPhone known as iPhoneShow.

Now, I do a podcast with former USA As we speak tech columnist, Jefferson Graham, known as iPhonePhotoShow, the place we attempt to assist folks shoot nice photos and movies utilizing iPhones.

why i switched to iphone

The rationale for my change may be very easy. Medical issues have pushed me additional down the highway in want of lighters and lighter gear. My transcendence shouldn’t be form to my physique and whereas I am nonetheless 18 in my thoughts, my physique thinks I am 98. There may be such a lightweight gear and nothing a lot lighter than the iPhone.

However what made this potential was the benefit within the newest variations of the iPhone within the high quality of the cameras and software program that went with them. If each of these items weren’t there, I would not have switched. However he did, and I did too.

I’ve spent the final 4 months taking pictures virtually completely with the iPhone, besides once I do my wildlife work, which nonetheless requires the longer lenses that may be discovered on smartphones. All the pieces else I do with the iPhone and I do not suppose I’ve left something out within the course of.

I’m having fun with my pictures greater than ever and I’m seeing issues in an entire new approach. I am taking pictures nonetheless images that print huge and fantastically at 11×14″ with none fancy software program or {hardware} RIP. Utilizing Topaz Gigapixels, I’ve printed as much as 20-by-30 inches and once more, I am blown away by the standard I am getting.

Professional-High quality Video with iPhone

On the video aspect, I am taking pictures ProRes HQ video with my iPhone. I shoot with the FiLMiC Professional app which grades and matches ProRes video from costly cinema cameras. I am getting the outcomes I want from a small, light-weight, (and comparatively) low cost package deal. The outcomes are clearly shocking.

Picture Courtesy FiLMiC Professional – My favourite video app for iPhone that totally helps a ProRes workflow

I initially had no plans to improve my iPhone 11 Professional Max as a result of it labored superb (and it break the bank). I used to be going to maintain at it, till I came upon that the iPhone 13 Professional might natively use the ProRes codec. That was sufficient to make me pull the set off and wow, I am glad I did.

Why ProRes on the iPhone is a Massive Deal

Since I am residing in a extra video-centric universe, I might wish to share my ideas on ProRes and though this is not a white paper or deep dive into the subject, it does take a step or two in the direction of explaining it higher. That is why I believe ProRes on the iPhone is a game-changer.

ProRes is a video codec and industry-standard with virtually common acceptance. For those who stay within the Apple ecosystem like me, ProRes is a godsend. It is an Apple invention and it really works virtually seamlessly with instruments like Ultimate Minimize Professional.

The iPhone provides you a selection between totally different codes for video. You should utilize HEVC – which is broadly standard. However switching to PreRes provides you many benefits. Earlier than I clarify these advantages, I will point out that every one CODECS is about compromise. You need to steadiness file dimension (compression) with picture high quality (picture constancy) and enhancing efficiency (complexity and pace).

For me, the selection of ProRes is a no brainer. So far as I’m involved, it ticks all of the bins. It has a price in file dimension, however I am prepared to pay for it.

There are two main causes for that:

  • It retains picture high quality with out large compression making it simple to paint grade in publish utilizing Ultimate Minimize Professional.
  • It offers each a quicker/smoother expertise which ends up in higher picture and even sound high quality.

chroma sampling

Whereas I can not discover any documentation that proves this, I am certain the ProRes taste used on the iPhone is 4:2:2 HQ. This compares to 4:2:0 should you’re utilizing HEVC. The distinction is that 4:2:2 affords higher shade constancy than 4:2:0 – and this particularly issues when your picture incorporates a number of shade element.

As a bonus, the sound high quality can be higher in ProRes than in HEVC. ProRes information in 48kHz whereas HEVC information in 44.1kHz. It is not an enormous deal, however each little bit helps.

in post-production

There’s a vastly higher enhancing expertise when utilizing ProRes as in comparison with HEVC. For those who’re fortunate sufficient to have a pc with an M1 or M1 MAX chip, you get the built-in advantages of specialised ProRes accelerators. On my MacBook Professional with the M1 MAX, I can edit 30 simultaneous streams of 4K ProRes video or as much as seven streams of 8K ProRes video in Apple’s Ultimate Minimize Professional software program. Strive doing the identical with 4 streams of similar HEVC footage and get again to me. These are simply loopy glasses.

As a bonus, all iPhone 13s have native capabilities to playback and edit footage on the telephone! maximal Loopy.

iPhone 422 HQ ProRes is a lossless format. This implies you do not undergo from technology loss, ie a number of exports.

storage capability

When taking pictures ProRes, bigger file sizes will value. That is again to the settlement I talked about initially of this text. With ProRes 4:2:2 footage, the file dimension nets about 6 GB of information for a minute of 4K 30p footage.

Meaning an iPhone 13 Professional with 1TB of storage (just like the one I am used to) and one which’s out of the field (not loaded with different knowledge) gives you a most of two hours of recording time, which is restricted by storage. Telephone. That is the explanation why it is best to select an iPhone with most storage in case you are planning to make use of ProRes.

However footage might be transferred to a standard onerous drive for enhancing and releasing up area.

finest image and video digicam i’ve

I’ve owned a number of “actual” video cameras, together with the Canon XF-605, and the Blackmagic Pocket 6K Professional. XF-AVC information from my Canon XF-605 convert effortlessly to ProRes 4:2:2 utilizing Apple’s Compressor. Utilizing native ProRes information from my Blackmagic Cinema Digicam and mixing them with footage from the iPhone 13 Professional, Canon Camcorder and Blackmagic Cinema Digicam, I’m able to get footage that goes collectively as if it had been all on the identical digicam. has been shot. I’ve to make use of a couple of LUTs due to the distinction in shade science, nevertheless it’s very easy to place all of it collectively.

After watching ProRes footage I captured in Bosque del Apache with a mobile phone, I am a convert. I believe (for sure genres/genres/sorts of pictures and video) that we’re both at or near the purpose the place you actually need the one digicam that is available in an iPhone.

This degree of innovation is basically thrilling. I stay up for sharing my journey with the iPhone with you and I hope you’ll be a part of me.



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